Axiological Relevance of the Tadek Dance of the Tingguians of Nueva Era, Ilocos Norte

Reygan A. Butali

College of Arts and Sciences, Mariano Marcos State University, 16-S Quiling Sur, City of Batac 2906, Philippines.

Gelson C. Daluyon

College of Industrial Technology, Mariano Marcos State University, 7-B Nuestra Señora de Natividad, Laoag City 2900, Philippines.

Jan Marc S. Duyao

Department of Education, Ilocos Norte National High School, Brgy. 3 Castro Ave., Laoag City 2900, Philippines.

Ainah Apple F. Fonacier

Department of Education, Ilocos Norte National High School, Brgy. 3 Castro Ave., Laoag City 2900, Philippines.

Jasper Kim M. Rabago

College of Industrial Technology, Mariano Marcos State University, 7-B Nuestra Señora de Natividad, Laoag City 2900, Philippines.

Patrick John B. Roldan

College of Arts and Sciences, Mariano Marcos State University, 16-S Quiling Sur, City of Batac 2906, Philippines.

Norman Dionelle B. Tolentino *

College of Industrial Technology, Mariano Marcos State University, 7-B Nuestra Señora de Natividad, Laoag City 2900, Philippines.

*Author to whom correspondence should be addressed.


Abstract

The evolution of the tadek dance as art of the post-burial rites of the Tingguians of Nueva Era is a result of the family influence and the age of foundational learning of the identified performers of the tadek. Along with the death practices of the Tingguians during wake and burial is that the tadek dance is also performed as part of their post-burial rites. Also, the tadek dance strictly observes steps, movements and choreography in its performance as there are implications of the tadek dance on post-burial rites. Lastly, the Tingguians of Nueva Era puts so much importance and value to the tadek dance as this serves as a part of their cultural identity and cultural heritage as indigenous people .This study aims to explore the post-burial rites of the Tingguians and to document the steps, movements and choreographies observed during the performance of the tadek. This study also aims to explore the cultural relevance of the tadek dance among the Tingguians. Hence,  A focused group discussion (FGD) with the participants was administered to be able to acquire the necessary data needed in the study. The participants was chosen as they are identified performers of the dance. Prior consent was secured from the National Commision on Indigenous Peoples, Office of the Mayor and a courtesy call among the tribe’s chieftain and all IP laws were observed before the conduct of the study. An interview guide formulated by the researchers which was validated by three IP members from Ilocos Norte and one professor in the Social Sciences was used during the focused group discussion (FGD). Data gathered was analyzed through a thematic analysis. To be able to analyze and interpret the data gathered, the researchers sought help from a native of the locality to translate the responses of the respondents.

Keywords: Burial practices of early filipinos, axiological relevance of philippine ethnic dances, tadek dance, tingguians, nueva era, Ilocos Norte


How to Cite

Butali, Reygan A., Gelson C. Daluyon, Jan Marc S. Duyao, Ainah Apple F. Fonacier, Jasper Kim M. Rabago, Patrick John B. Roldan, and Norman Dionelle B. Tolentino. 2024. “Axiological Relevance of the Tadek Dance of the Tingguians of Nueva Era, Ilocos Norte”. Asian Research Journal of Arts & Social Sciences 22 (6):55-67. https://doi.org/10.9734/arjass/2024/v22i6544.

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