Asian Research Journal of Arts & Social Sciences

Installation art is a transformative practice that challenges traditional sculpture by integrating diverse media such as painting, video, sound, and performance. Unlike static, object-based sculptures, it creates immersive spatial experiences, redefining contemporary sculptural practice.

Its origins trace back to avant-garde movements that rejected conventional forms in Favor of experimental approaches. The rise of conceptual and environmental art in the 1960s and 1970s reinforced the shift toward immersive environments that interact with space and viewer perception. The present case report is about installation art with the inclusion of contemporary sculpture and the utilization of locally available material for the creation. The review of the literature on the evolution of installation art has also been described. Contemporary installation art incorporates unconventional materials, digital technologies, and participatory elements.

This case study of installation art, crafted from locally sourced natural materials, offers a profound socio-cultural perspective. By utilizing materials readily available in the vicinity, such as dried plant roots, jute, ropes, etc., the installation reflects themes of sustainability and cultural heritage.

The article presents a case study on installation art using readily available natural resources in tropical and subtropical regions like the Indian subcontinent and reviews literature exploring its evolution within contemporary sculpture. The process of selecting, assembling, and executing these materials underscores the importance of ecological awareness and the preservation of local traditions. ​Installation art using locally sourced materials fosters community engagement and enhances understanding of local heritage and the environment.